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- #WINNER TAKES IT ALL GAY NIFTY SERIES#
- #WINNER TAKES IT ALL GAY NIFTY TV#
But if you do watch Season 3 or Season 4, then you can go back and see where it all starts. You don’t need to know everything about Danny Ricciardo before you start to enjoy his journey through the season. “One of the joys of the show is that you can jump into it and pick it up and just find it engaging. It can exist as a gateway to the ocean of other Formula 1-centered content. Each season offers an overview of the main contenders and the outsized personalities, but it never needs to be comprehensive. Having plenty of other seasons as a foundation, “Drive to Survive” can keep the table-setting to a minimum. Gay-Rees says that Formula 1’s existing popularity also works to the show’s advantage, particularly in what it has to include. Obviously not all of it by any stretch of imagination, but enough to make informed guesses as to the shape of things to come.” You can sort of plan ahead if you like, because you are privy to some of the intel. The gossip, where the power shift is going. “Once you spend a lot of time in the paddock, as we do, then you pretty quickly pick up on potential moves. “The paddock is this incredibly small goldfish bowl where everybody knows everybody else,” Gay-Rees said. Journalists Will Buxton and Jennie Gow offer some helpful bird’s-eye perspective on some of the evolving stories, but there are plenty of instances where this show can go to the source throughout the season. It certainly helps that, given the Netflix show’s popularity and the steady rise in access to the sport overall, “Drive to Survive” can get input and feedback directly from the newsmakers themselves.
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#WINNER TAKES IT ALL GAY NIFTY SERIES#
We’re just trying to distill it into a series and I think we do a good job of that.” “The reality is that the sport is a controversial sport. We can sleep pretty well at night, that it’s a balanced show that treats everybody fairly,” Gay-Rees said. You’ll never get to keep all the people happy all the time. The show certainly doesn’t shy away from outlining the various rivalries that pop up across Formula 1, but it’s guided more by people rather than contests. The stories that come from that flexible approach to a forward-moving schedule means that each episode can hone in on the particular stories from the perspective of an individual, rather than a contest.
#WINNER TAKES IT ALL GAY NIFTY TV#
The Best 30 LGBTQ Movies and TV Shows Streaming on Netflix Right Now The Best International Series on Netflix to Watch Right Now 'Love & Anarchy': Now's the Time to Jump in on One of the Best Romantic Comedies in the World Cooper: Where Are You?!' Trailer: Netflix Unravels Controversial Conspiracy Theory 50 Years Later There is a vague beginning and end to the shape of the series, but within that we dance around a bit and it’s great fun to do that.”
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It ends up chronological for good reason. Let’s try and tell it in a radically different way,’ you always end up going back to the beginning and then go through it. Having made films like ‘Amy’ and ‘Senna’ where I was like, ‘Let’s not be chronological with this film. In Season 4, we look at some races through three different lenses in three different episodes. We could be much more fluid and freestyle with the way we approached it. “One of the things he impressed upon us was that we didn’t have to be entirely chronological. He really did open our minds to how we could build this show,” Gay-Rees said. Big props have to go out to Nat Grouille, the executive at Netflix that we’ve worked with since day one on this. Series executive producer James Gay-Rees said that it’s been a helpful guiding force from the start.
#WINNER TAKES IT ALL GAY NIFTY DRIVERS#
Over that time, though, this Netflix documentary series has unlocked a nifty trick to better tell the stories of the drivers and teams that make up this worldwide auto racing circuit: It moves backwards. Mining drama from something already definitively decided months ago is a challenge that “ Formula 1: Drive to Survive” has faced since it debuted its inaugural season in 2019.
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Making a show about a global phenomenon, with the outcome decided long before a TV season ever makes it to audiences, seems like it could be a hindrance.